Please use this identifier to cite or link to this item:
http://arus.letras.up.pt/handle/123456789/106864
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Prakash, Gyan | |
dc.contributor.editor | Mazumdar, Ranjani | |
dc.coverage.spatial | Princeton, NJ | |
dc.date.accessioned | 2018-04-09T19:21:51Z | - |
dc.date.available | 2018-04-09T19:21:51Z | - |
dc.date.issued | 2010 | |
dc.identifier.citation | Mazumdar, Ranjani. “Friction, Collision, and the Grotesque: The Dystopic Fragments of Bombay Cinema.” Noir Urbanisms: Dystopic Images of the Modern City. Ed. Gyan Prakash (Princeton, NJ: Princeton University Press, 2010), 150-84. | |
dc.identifier.uri | http://arus.letras.up.pt/jspui/handle/123456789/106864 | - |
dc.format.extent | 150-84 | |
dc.language.iso | en | |
dc.publisher | Princeton University Press | |
dc.relation.ispartof | The Heritage of Heinlein: A Critical Reading of the Fiction | |
dc.title | Friction, Collision, and the Grotesque: The Dystopic Fragments of Bombay Cinema | |
dc.type | Book chapter | |
Appears in Collections: | Utopia |
Files in This Item:
There are no files associated with this item.
Items are protected by copyright, with all rights reserved, unless otherwise indicated.