Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/106864
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dc.contributor.authorPrakash, Gyan
dc.contributor.editorMazumdar, Ranjani
dc.coverage.spatialPrinceton, NJ
dc.date.accessioned2018-04-09T19:21:51Z-
dc.date.available2018-04-09T19:21:51Z-
dc.date.issued2010
dc.identifier.citationMazumdar, Ranjani. “Friction, Collision, and the Grotesque: The Dystopic Fragments of Bombay Cinema.” Noir Urbanisms: Dystopic Images of the Modern City. Ed. Gyan Prakash (Princeton, NJ: Princeton University Press, 2010), 150-84.
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/106864-
dc.format.extent150-84
dc.language.isoen
dc.publisherPrinceton University Press
dc.relation.ispartofThe Heritage of Heinlein: A Critical Reading of the Fiction
dc.titleFriction, Collision, and the Grotesque: The Dystopic Fragments of Bombay Cinema
dc.typeBook chapter
Appears in Collections:Utopia

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