Lyman Tower Sargent Bibliography
Welcome to the ARUS Digital Repository of the University of Porto.
With over 19,000 entries compiled by Lyman Tower Sargent, this already is the major resource of critical bibliography on utopia, but we expect it to grow with your contribution. Our aim is to have a complete list of critical sources in any language, add digital objects such as abstracts and full texts, and make the database searchable by subject.
For authors of titles listed here, authors of new titles, and volunteers that would like to become contributing editors, please click here.
Join the Advanced Research in Utopian Studies (ARUS) community.
Please use this identifier to cite or link to this item:
http://arus.letras.up.pt/handle/123456789/106868Full metadata record
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Beauchesne, Kim | |
| dc.contributor.author | Santos, Allesandra | |
| dc.contributor.editor | Mazzotti, José Antonio | |
| dc.coverage.spatial | New York | |
| dc.date.accessioned | 2018-04-09T19:21:53Z | - |
| dc.date.available | 2018-04-09T19:21:53Z | - |
| dc.date.issued | 2011 | |
| dc.identifier.citation | Mazzotti, José Antonio. “Barataria from the Perspective of Spanish American ‘Colonial’ Studies: Contributions for a Reading of a (Counter)Utopia in the Quijote and the New World.” The Utopian Impulse in Latin America. Ed. Kim Beauchesne and Allesandra Santos (New York: Palgrave Macmillan, 2011), 51-70. | |
| dc.identifier.uri | http://arus.letras.up.pt/jspui/handle/123456789/106868 | - |
| dc.format.extent | 51-70 | |
| dc.language.iso | en | |
| dc.publisher | Palgrave Macmillan | |
| dc.relation.ispartof | Fourier: La Passione Dell’Utopia | |
| dc.title | Barataria from the Perspective of Spanish American ‘Colonial’ Studies: Contributions for a Reading of a (Counter)Utopia in the Quijote and the New World | |
| dc.type | Book chapter | |
| Appears in Collections: | Utopia | |
Files in This Item:
There are no files associated with this item.
Items are protected by copyright, with all rights reserved, unless otherwise indicated.