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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Monica Germanà | |
dc.contributor.author | Mousoutzanis, Aris | |
dc.contributor.editor | Murray, Joanne | |
dc.coverage.spatial | New York | |
dc.date.accessioned | 2018-04-09T19:30:24Z | - |
dc.date.available | 2018-04-09T19:30:24Z | - |
dc.date.issued | 2014 | |
dc.identifier.citation | Murray, Joanne. “Under the Westway and Up in the Air: New Brutalist Aftermath Aesthetics in J.G. Ballard’s Concrete Island (1974) and High-Rise (1975).” Apocalyptic Discourse in Contemporary Culture: Post-Millennial Perspectives of the End of the World. Ed. Monica Germanà and Aris Mousoutzanis (New York: Routledge, 2014), 88-103. | |
dc.identifier.uri | http://arus.letras.up.pt/jspui/handle/123456789/107421 | - |
dc.format.extent | 88-103 | |
dc.language.iso | en | |
dc.publisher | Routledge | |
dc.title | Under the Westway and Up in the Air: New Brutalist Aftermath Aesthetics in J.G. Ballard’s Concrete Island (1974) and High-Rise (1975) | |
dc.type | Book chapter | |
Appears in Collections: | Utopia |
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