Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/107421
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dc.contributor.authorMonica Germanà
dc.contributor.authorMousoutzanis, Aris
dc.contributor.editorMurray, Joanne
dc.coverage.spatialNew York
dc.date.accessioned2018-04-09T19:30:24Z-
dc.date.available2018-04-09T19:30:24Z-
dc.date.issued2014
dc.identifier.citationMurray, Joanne. “Under the Westway and Up in the Air: New Brutalist Aftermath Aesthetics in J.G. Ballard’s Concrete Island (1974) and High-Rise (1975).” Apocalyptic Discourse in Contemporary Culture: Post-Millennial Perspectives of the End of the World. Ed. Monica Germanà and Aris Mousoutzanis (New York: Routledge, 2014), 88-103.
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/107421-
dc.format.extent88-103
dc.language.isoen
dc.publisherRoutledge
dc.titleUnder the Westway and Up in the Air: New Brutalist Aftermath Aesthetics in J.G. Ballard’s Concrete Island (1974) and High-Rise (1975)
dc.typeBook chapter
Appears in Collections:Utopia

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