Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/107975
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dc.contributor.authorAyers, David
dc.contributor.authorBenedikt, Hjartarson
dc.contributor.editorPetrushanskaya-Averbakh, Elena
dc.coverage.spatialBerlin
dc.date.accessioned2018-04-09T19:38:26Z-
dc.date.available2018-04-09T19:38:26Z-
dc.date.issued2015
dc.identifier.citationPetrushanskaya-Averbakh, Elena. “A la recherche d’une sonorité utopique: Sound Representations of Utopia in the Works of Russian Musicians in the First Three Decades of the 20th Century.” Trans. Gabriella Imposti and Jeremy Barnard. Utopia The Avant-Garde, Modernism and (Im)possible Life. Ed. David Ayers, Benedikt Hjartarson, Tomi Huttunen, and Harri Veivo with the editorial assistance of Porsteinn Surmeli (Berlin: De Gruyter, 2015), 215-28
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/107975-
dc.format.extent215-28
dc.language.isoen
dc.publisherDe Gruyter
dc.relation.ispartofUtopia The Avant-Garde, Modernism and (Im)possible Life
dc.titleA la recherche d’une sonorité utopique: Sound Representations of Utopia in the Works of Russian Musicians in the First Three Decades of the 20th Century
dc.typeBook chapter
Appears in Collections:Utopia

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