Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/108080
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dc.contributor.authorBlaim, Artur
dc.contributor.authorGruszewska-Blaim, Ludmiła
dc.contributor.editorPisarska, Katarzyna
dc.coverage.spatialFrankfurt am Main, Germany
dc.date.accessioned2018-04-09T19:40:24Z-
dc.date.available2018-04-09T19:40:24Z-
dc.date.issued2012
dc.identifier.citationPisarska, Katarzyna. “After the End of All Things: Iain Banks’s A Song of Stone as a Post-apocalyptic Dystopia.” The Spectres of Utopia: Theory, Practice, Conventions. Ed. Artur Blaim and Ludmiła Gruszewska-Blaim (Frankfurt am Main, Germany: Peter Lang, 2012), 247-55, 280-83.
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/108080-
dc.format.extent247-255, 280-283
dc.language.isoen
dc.publisherPeter Lang
dc.relation.ispartofCultural Babbage: Technology, Time and Invention
dc.titleAfter the End of All Things: Iain Banks’s A Song of Stone as a Post-apocalyptic Dystopia
dc.typeBook chapter
Appears in Collections:Utopia

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