Iconicity in Conceptual Blending: Material Anchors in William Morris’s News from Nowhere

Michelucci, Pascal; Fischer, Olga; Ljungberg, Christina

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Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/110787

Full metadata record

DC Field	Value	Language
dc.contributor.author	Michelucci, Pascal
dc.contributor.author	Fischer, Olga
dc.contributor.author	Ljungberg, Christina
dc.contributor.editor	Wilson, David Glyn
dc.coverage.spatial	Amsterdam, The Netherlands
dc.date.accessioned	2018-04-09T20:26:26Z	-
dc.date.available	2018-04-09T20:26:26Z	-
dc.date.issued	2011
dc.identifier.citation	Wilson, David Glyn. “Iconicity in Conceptual Blending: Material Anchors in William Morris’s News from Nowhere.” Semblance and Signification. Ed. Pascal Michelucci, Olga Fischer, and Christina Ljungberg (Amsterdam, The Netherlands: John Benjamins Publishing Co., 2011), 269-88. MH
dc.identifier.uri	http://arus.letras.up.pt/jspui/handle/123456789/110787	-
dc.format.extent	269-88
dc.language.iso	en
dc.publisher	John Benjamins Publishing Co
dc.relation.ispartof	Utopian Horizons: Ideology, Politics, Literature
dc.title	Iconicity in Conceptual Blending: Material Anchors in William Morris’s News from Nowhere
dc.type	Book chapter
Appears in Collections:	Utopia

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