Please use this identifier to cite or link to this item: http://arus.letras.up.pt/handle/123456789/114276
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dc.contributor.editorLim, Shirley Geok-lin
dc.date.accessioned2018-04-09T21:09:11Z-
dc.date.available2018-04-09T21:09:11Z-
dc.date.issued1998-Winter
dc.identifier.citationLim, Shirley Geok-lin. “Abstracting the Nation in Kee Thuian Chye’s 1984 Here and Now and The Big Purge: National Allegory or Modernist Theatre?” Tamkang Review 29.2 (Winter 1998): 119-42.
dc.identifier.urihttp://arus.letras.up.pt/jspui/handle/123456789/114276-
dc.format.extent119-42
dc.language.isoen
dc.titleAbstracting the Nation in Kee Thuian Chye’s 1984 Here and Now and The Big Purge: National Allegory or Modernist Theatre?
dc.typeJournal article
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