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Collection's Items (Sorted by Submit Date in Descending order): 1501 to 1520 of 17595
Issue DateTitleAuthor(s)
1998-SpringA Harsh Days Light: An Interview with Marge PiercyRodden, John
1999Law, Literature and Science FictionRockwood, Bruce
1990Varieties of Literary Experience: 1984 and George Orwell’s ‘Prophetic Visions’Rodden John
1985-SpringOser actualiser l’utopieRochon, Esther
1981-10An Australasian Utopist: Robert Pemberton F.R.S.L. The Last of the Self-Confessed Owenites and the Last of the World MakersRockey, John
1984-12Les femmes dans 1984Rochon, Esther
1970-01/06La Société Baconienne. Une utopie inédite de Saint-SimonRocher, D.
2006-Autumn/WinterChoosing to Be Human: American Romantic/Pragmatic Rhetoric in Ursula K. Le Guin’s Teaching Novel, GiftsRochelle, Warren
1999-SummerDual Attractions: The Rhetoric of Bisexuality in Robert A. Heinlein’s FictionRochelle, Warren
2008A Wave in My MindRochelle, Warren
2002-Autumn(Almost) Ordinary: Transitional Gay Imagery in Julian May’s Galactic Milieu UniverseRochelle, Warren
2006-SpringUrsula K. Le Guin’s Always Coming Home as Answer to Margaret Fuller’s Summer on the Lakes, 1n 1843Rochelle, Warren
1996-WinterThe Story, Plato, and Ursula K. Le GuinRochelle, Warren
2005-SummerThe Patriotic Rhetoric of Harry Turtledove’s Alternate AmericaRochelle, Warren
1978-07/08J’ai perdu mes utopiesRochefort, Christiane
1991-SummerSailing West: Tolkien, the Saint Brandan Story, and the Idea of Paradise in the WestRoche, Norma
2003Les grands émancipateurs de désir: Fourier, les surréalistes et l’amourRoche, Gérard
2010A caminho do Éden: em busca do autêntico refúgio huguenote (1689-1707)Rocha, Eduardo dos Santos
1910-07Robert OwenRoch, Walter
1988-SpringThe ‘Anti-logos Weapon’: Multiplicity in Women’s TextsRobinson, Sally
Collection's Items (Sorted by Submit Date in Descending order): 1501 to 1520 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.