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Collection's Items (Sorted by Submit Date in Descending order): 1521 to 1540 of 17595
Issue DateTitleAuthor(s)
1908-11A ‘Lunatic’s’ Idea of UtopiaRobinson, Lydia
1996-AutumnThe Mars Trilogy: An InterviewRobinson, Kim Stanley; Seed, David
2001-05/06Utopia: It’s a Good ThingRobinson, Joyce Henri
1955-01talin’s Vision of Utopia: The Future Communist SocietyRobinson, Geroid Tanquary
1990-03Community and Utopia in Crevecoeur’s SketchesRobinson, David
2004Constructing Revolutionary Subjectivities. Resistance as Condition of Possibility for Emancipatory PracticeRobinson, Andrew
2010Du nulle part au partout: l’utopie de Wittig pour changer le présent et l’avenir/From nowhere to everywhere: Wittig’s Utopia to transform the present and the futureRobin, Kate
1985-SpringThe Paradigm of Frankenstein: Reading Canopus in Argos in the Context of Science Fiction by WomenRoberts, Robin
2004Man is come where he is not wanted, where there is no place for him’: Utopia and Atopia in Lord JimRobin, Christophe
1987The Female Alien: Pulp Science Fiction’s Legacy to FeministsRoberts, Robin
1990-07Post-Modernism and Feminist Science FictionRoberts, Robin
1991Etienne Cabet and his Voyage en IcarieRoberts, Leslie
2014-SpringIain M. Banks’ Culture of Vulnerable MasculinitiesRoberts, Jude
1980-FallLodge’s A Margarite of America: A Dystopian Vision of the New WorldRoberts, Josephine
1993-03D.H. Lawrence and Wells’s ‘Future Men’Roberts, Adam
1976-05/08The Iron Heel: Socialism, Struggle, and StructureRoberts, Dorothy
1984La résurrection de Moscou Troisième Rome ou la face cachée du projet fédorovienRoberti, Jean-Claude
2008Crime e Castigo em A Laranja Mecânica, da Anthony Burgess: Abordagem Criminológica dos Usos da ViolênciaRoberto, Isabella
1928-04The Genius of H.G. WellsRobert, Ellis
1978-AutumnOrwell, Freud and 1984Roazen, Paul
Collection's Items (Sorted by Submit Date in Descending order): 1521 to 1540 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.