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Collection's Items (Sorted by Submit Date in Descending order): 2241 to 2260 of 17595
Issue DateTitleAuthor(s)
1995-03Dialogic Origins and Alien Identities in Butler’s XenogenesisPeppers, Cathy
[1993]Geography and Landscapes of Anarchistic Visions of Britain: The Examples of Morris and KropotkinPepper, David
2006-12Peacemaking in the ClassroomPepinsky, Hal
2000-WinterExorcising Gender: Resisting Readers in Ursula K. Le Guin’s Left Hand of DarknessPennington, John
2002-SummerRepresentations of Books and Libraries in Depictions of the FuturePennavaria, Katherine
1990-SpringCharles Gere and William MorrisPenning-Rowsell, Edmund
1964-05/06Antecedentes Socialistas en Cuba y en México. Americanos y UtopiensesPeniche Vallado, Leopoldo
1962Huxley’s Brave New WorldPendexter, Hugh, III
1983-01A Hybrid Poetics in Ngugi’s Petals of BloodPelsmaekers, K.
1997-09UtopiaPendergast, Christopher
2011Du théâtre nulle part situé à la cathédrale de l’avenir : utopies de théâtre entre deux sièclesPellois, Anne
2010L’utopie à l’épreuve de la scène et vice versaPellois, Anne; Métais-Chastanier, Barbara
1979L’île miraculeuse l’insularisation et l’esprit d’archipalPéju, Pierre
1940-07The First French and English Translations of Sir Thomas More’s ‘Utopia’Peggram, Reed Edwin
1995-08Down to Earth: Terrain, Territory, and the Language of Realism in Ursula K. Le Guin’s The Left Hand of Darkness and The DispossessedPegg, Barry
1987-FallLeaving the Self Behind in MarriagesPeel, Ellen
1890-06The Utopias of the Past Compared With the Theories of BellamyPeebles, H.
1982-WinterCommunicating Differently: Doris Lessing’s Marriages Between Zones Three, Four, and FivePeel, Ellen
2003-11Jesus Hates New YorkPeebles, Gustav
1963ristophanes Ekklesiazusen und die Utopien in der Krise der PolisPecirka, Jan
Collection's Items (Sorted by Submit Date in Descending order): 2241 to 2260 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.