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Collection's Items (Sorted by Submit Date in Descending order): 2261 to 2280 of 17595
Issue DateTitleAuthor(s)
1941-08Bei Dr. LeetePechel, Rudolf
2007Postcolonialism/s, Gender/s, Sexuality/ies and the Legacy of The Left Hand of Darkness: Gwyneth Jones’s Aleutians Talk BackPearson, Wendy Gay
2009-11Born to Be Bron: Destiny and Destinerrance in Samuel R. Delany’s Trouble on TritonPearson, Wendy Gay
2002-AutumnScience Fiction as Pharmacy: Plato, Derrida, RymanPearson, Wendy Gay
2003-SpringHomotopia? Or What’s Behind a Prefix?Pearson, Wendy Gay
2001-SpringFrom The Bush Garden to The Child Garden: Canadian Literary Tropes in the Science Fiction and Fantasy of Geoff RymanPearson, Wendy Gay
1995-07After the (Homo)Sexual: A Queer Analysis of Anti-Sexuality in Sheri S. Tepper’s The Gate to Woman’s CountryPearson, Wendy Gay
1981-SummerArt, Socialism and the Division of LabourPearson, Nicholas
2002-09/10All Their Play Becomes Fruitful: The Utopian Child of Charles FourierPearson, Maeve
1981Towards a New Language, Consciousness and Political Theory: The Utopian Novels of Dorothy Bryant, Mary Staton and Marge PiercyPearson, Carol
1981-WinterBeyond Governance: Anarchist Feminism in the Utopian Novels of Dorothy Bryant, Marge Piercy and Mary StatonPearson, Carol
1977-FallWomen’s Fantasies and Feminist UtopiasPearson, Carol
1951-05Bentham’s Ideal RepublicPeardon, Thomas
1961Hawthorne’s Old Moodie: ‘The Blithdale Romance’ and ‘Measure for Measure’Pearce, Howard
1960-04Swift and the PassionsPeake, Charles
1997Wohnfords, or German Modern Architecture and the Appeal of AmericanismPeach, Mark
1996Cities of Paradise, Comrade Kingdoms, and Worlds of Light: Some Versions of the Socialist Utopia in The Comrade (1901-1905)Payne, Kenneth
2000-SpringWilliam Morris: ‘Back to the Land’, Pessimism and UtopiaPayne, John
2011-SummerA Note on Morris and AnarchismPayne, John
1961-SummerThe Family in the Utopia of William Dean HowellsPayne, Alma
Collection's Items (Sorted by Submit Date in Descending order): 2261 to 2280 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.