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Collection's Items (Sorted by Submit Date in Descending order): 2281 to 2300 of 17595
Issue DateTitleAuthor(s)
1998The Work of Betty Beaumont: Creative Vision Through Dialogue and ConnectionPayne, Christopher
1984L’Utopie chez les ChartrainsPayen, Jean-Charles
1982-12L’utopie au XVIIIe siècle: du ‘Jeu de saint Nicolas’ au ‘Roman de la Rose’Payen, Jean-Charles
1978John Bellers’ UtopiaPavlova, T.
2009Back to the Future in Dead EuropePavlides, Eleni
1993Prosperity and Intellectual Needs: The Credibility and Coherence of More’s UtopiaPavkovic, Aleksandar
1993-03The New Republic: A Commentary on Book I of More’s Utopia Showking Its Relation to Plato’s RepublicPavković, Aleksandar
1998-FallFreedom, from Romance tio the Novel: Three Anti-Utopian CriticsPavel, Thomas
1973-12The Moral Stance of Kurt VonnegutPauly, Rebecca
1984Can Women Fly? Vonda McIntyre’s Dreamsnake and Sally Gearhart’s The WandergroundPaulsen, Inge-Lise
2011-11Post-National Cool: William Gibson’s JapanPaulk, Charles
2007A arte no mercado : seus discursos como utopiaPaulino da Fonseca, Rui Pedro
1986/1987De la réfutation de l’Utopie rationnelle à l’Utopie existentielle dans la penséeRemy, Michel; Paul, Jean-Marie
2016-04The United Republic of UtopiaPaul, Joanne
2006-SummerIncest and Archetype in Robert Heinlein’s World as MythPatterson, William, Jr.
1992Apotheose des Subjekts. Gnostizismus in Ernst Bloch ‘Geist der Utopia’Pauen, Michael
1981The Host of Heaven: Astrological and Other Images of Divinity in the Fantasies of C.S. Lewis (Part II)Patterson, Nancy-Lou
1979-Summer/WinterGuardaci Ben: The Visionary Woman in C.S. Lewis’ Chronicles of Narnia and That Hideous StrengthPatterson, Nancy-Lou
1986-Autumn‘Some Kind of Company’: The Sacred Community in That Hideous StrengthPatterson, Nancy-Lou
1981-AutumnBanquet at Belbury: Festival and Horror in That Hideous StrengthPatterson, Nancy-Lou
Collection's Items (Sorted by Submit Date in Descending order): 2281 to 2300 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.