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Collection's Items (Sorted by Submit Date in Descending order): 361 to 380 of 17595
Issue DateTitleAuthor(s)
1981The Fiction of Préciosité and the Fear of WomenStanton, Domna
1983-02Utopia and Anti-Utopia: William Morris and George OrwellStansky, Peter
1973-11/12Three Post Political FuturesStanley, Manfred
2001Aldous Huxley Our Contemporary (A Political Theorist’s ViewMeckier, Jerome; Nugel, Bernfried; Stankiewicz, W.
2009-04Unraveling Natural Utopia: Diderot’s Supplement to the Voyage of BougainvilleStanley, Sharon
1892-01/03UtopienStammler, Rudolf
1994New BabylonsStanishev, Georgi
1967Das komfortable Zuchthaus: Zur Häresie des Utopismus im Denken der GegenwartStammler, Heinrich
1995Childhood, Path of EscapeStals, José Lebrero
1952Das Heute dem Morgen geopfert. Vom Wert und der Gefährlichkeit alter und neuer UtopienStallmach, Josef
1995-05/06Empowering Technology: The Exploration of CyberspaceStallabrass, Julian
2012Apocalyptic Visions and Utopian Spaces in Late Victorian and Edwardian Prophecy FictionStähler, Axel
2012-04/06La invención del futuro. Lima y la dimensión distópica en Mañana, las ratas, de José b. AdolphStagnaro, Giancarlo
1988-12Future Noir: Contemporary Representations of Visionary CitiesStaiger, Janet
1984-01-131984: Can Orwell’s Nightmare Still Become Reality?”Stafford, Tim
2004Utopia and Memory in Colette’s La Maison de Claudine, Sido and Les Vrilles de la vigneStafford, Hélène
1998-09The Eclipse of ‘the Other Voice’: Margaret Atwood’s The Handmaid’s TaleStaels, Hilde
1995-09Margaret Atwood’s The Handmaid’s Tale: Resistance through NarrationStaels, Hilde
1972-Spring‘Les Deux édifices’--the new Areopagus and a spiritual trophy: Humbert de Superville’s vision of UtopiaStafford, Barbara Maria
1991-WinterFictional Narrative in the CyropaideiaStadter, Philip
Collection's Items (Sorted by Submit Date in Descending order): 361 to 380 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.