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Collection's Items (Sorted by Submit Date in Descending order): 381 to 400 of 17595
Issue DateTitleAuthor(s)
2016-06Technology and Liberty in French Utopian FictionStableford, Brian
2016-05Nightmares of a Utopian: The Science Fiction of Régis MessacStableford, Brian
1979-05The Utopian Dream Revisited: Socio-economic Speculation in the SF of Mack ReynoldsStableford, Brian Michael
2005Louis Sébastien Mercier’s News from the MoonStableford, Brian
1979-02Social Design in Science FictionStableford, Brian Michael
1972-12The Compleat SilverbergStableford, Brian Michael
1983The Politics of Evolution; Philosophical Thomas in the Speculative Fiction of M.P. ShielStableford, Brian Michael
1974-03Science Fiction: A Sociological PerspectiveStableford, Brian Michael
1978-09Science Fiction and the Image of the FutureStableford, Brian Michael
1973-03Postscript to the Compleat SilverbergStableford, Brian Michael
2000-SummerThe Final Chapter of the Sociology of Science FictionStableford, Brian Michael
1981-06Man-Made Catastrophes in SFStableford, Brian Michael
1995-11The Creators of Science Fiction--4: Philip K. DickStableford, Brian Michael
1996-05The Creators of Science Fiction--6: John BrunnerStableford, Brian Michael
1997-03The Creators of Science Fiction--8: James BlishStableford, Brian Michael
1998-03Speculative Fiction in Europe and America: The Past and the FutureStableford, Brian Michael
1991-10/11Rediscovering the FutureStableford, Brian Michael
2014-01Prometheus, the Sphinx, and Salomon’s House: Symbolism and Social Propaganda in Francis Bacon’s Prophetic BooksStableford, Brian Michael
2000-Summer/AutumnBiotechnology and UtopiaGoodwin, Barbara; Stableford, Brian Michael
1992-05C.S. Lewis and the Decline of Scientific RomanceStableford, Brian Michael
Collection's Items (Sorted by Submit Date in Descending order): 381 to 400 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.