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Collection's Items (Sorted by Submit Date in Descending order): 5101 to 5120 of 17595
Issue DateTitleAuthor(s)
1993-SpringThe Old Grumbler At RunnymeadeHolm, Jan
1962-AutumnA Connecticut Yankee in King Arthur’s Court: Mark Twain’s Fable of UncertaintyHolmes, Charles
2014O papel da técnica e o lugar do sujeito no esporte de alto rendimentoHollweg Dias, Mariana; Sousa, Edson Luiz André de
1985-Winter/SpringThe Wonder of Passage, The Making of Gold: Alchemy and Initiation in Out of the Silent PlanetHollwitz, John
1994-12Tall Tales and Truths from an Underrated WriterHolloway, Judith
2000-SpringModernism, Nature, and Utopia: Another Look at ‘Optical Democracy’ in Cormac McCarthy’s Western QuartetHolloway, David
1976-Spring2001 in Perspective: The Fiction of Arthur C. ClarkeHollow, John
2001-12;2002-01Mary Shelley’s DaughtersHollis, Susan Tower
1999The Time Machine and the Ecotopian TraditionHollm, Jan
2000The Utopia of the Perverse: An Exercise in ‘Transgressive Reinscription’Hollinger, Veronica
1949-091984 and the Necessity of DoublethinkHollis, Christopher
1990-07Introduction: Women in Science Fiction and Other Hopeful MonstersHollinger, Veronica
2006-11Stories about the Future: From Patterns of Expectation to Pattern RecognitionHollinger, Veronica
2014Humanity 2.0: Retrospection, Abjection, and the Future-to-ComeBould, Mark; William, Rhys; Hollinger, Veronica
1990-FallFeminist Science Fiction: Breaking Up the SubjectHollinger, Veronica
1990-SpringCybernetic Deconstructions: Cyberpunk and PostmodernismHollinger, Veronica
1987-07Deconstructing The Time MachineHollinger, Veronica
2006-SummerMasculinity in the Novels of Philip K. DickHolliday, Valerie
1971-10-26Zam! Science Fiction Zaps Its Giant Robots, Stresses ‘Relevance’Hollie, Pamela
1989-Summer‘The Most Grisly Truth’: Responses to the Human Condition in the Works James Tiptree, Jr.Hollinger, Veronica
Collection's Items (Sorted by Submit Date in Descending order): 5101 to 5120 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.