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Collection's Items (Sorted by Submit Date in Descending order): 5121 to 5140 of 17595
Issue DateTitleAuthor(s)
1968Elite und Utopie. Zum 100. Geburtstag Stefan GeorgesHöllerer, Walter
1973-12The Prospects for Literature in Future SocietyHöllerer, Walter; Figge, Richard
1973-11The Ideological Pilgrim: Looking for Utopia, Then and NowHollander, Paul
1981-10/11Pilgrims on the run: Ideological refugees from Paradise LostHollander, Paul
1965-06-06UtopiasHollander, John; Cohen, Marshall; Kateb, George
1985-01Frauen-SF oder feministische Utopie?Holland-Cunz, Barbara
2016Spectatorship and Entanglement in Thoreau, Hawthorne, Morris, and WellsHolland, Owen
2013-SummerWilliam Morris’s Utopian OpticsHolland, Owen
2015-SummerRevisiting Morris’s socialist internationalism: reflections on translation and colonialism (with an annotated bibliography of translations of News from Nowhere, 1890-1915)Holland, Owen
2016EditorialHolland, Owen
2006-Spring‘The Art’s Heart’s Purpose’: Braving the Narcissistic Loop of David Foster Wallace’s Infinite JestHolland, Mary
1998-SpringThe High Costs of Cyborg Survival: Octavia Butler’s Xenogenesis TrilogyHolden, Rebecca
1890The Artistic Aspects of Edward Bellamy’s ‘Looking Backward’Holiday, Henry
1949-05-28The S-F Phenomenon in LiteratureHolcomb, Claire
1950-12-02Utopische Schreckbilder. Der Sog zum Ameisenstaat im modernen RomanHohoff, Curt
1950-12-02Utopische Schreckbilder. Der Sog zum Ameisenstaat im modernen RomanHohoff, Curt
1952Aldous Huxley und sein Buddha oder Die Tränen Faradays und EinsteinsHohoff, Curt
1951-12Gefärliche UtopienHohoff, Curt
1997-SummerMargaret Atwood’s Rhetorical Epilogue in The Handmaid’s Tale: The Reader’s Role in Empowering Offred’s Speech ActHogsette, David
1985-SpringÀ l’aube de ’85, mon futur est déja là!...Hogue-Charlebois, Margot
Collection's Items (Sorted by Submit Date in Descending order): 5121 to 5140 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.