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Collection's Items (Sorted by Submit Date in Descending order): 5841 to 5860 of 17595
Issue DateTitleAuthor(s)
2011‘L'impossible plutôt que rien’: Entretien réalisé par Lise Lenne et Barbara Métais-Chastanier avec le directeur du Vent se lève!Goni, Jean Pierre Chrétien
1963-10The Fantasy of UtopiaGondor, Lily
2008A voz do autor : ruído e interferências na versão portuguesa de Brave New WorldGonçalves, Lurdes
2004As comunidades utópicas e os primórdios do socialismo no BrasilGonçalves, Adelaide
1980-WinterOut of Context: Post Holocaust Themes in Feminist Science FictionGomoll, Jeanne
1981-FallDoris Lessing: Canopus in ArgosGomoll, Jeanne
1994-09Contemporary Feminist Science FictionGomoll, Jeanne
1977About Suzy McKee Charnas’ The Motherlines. A Critique with commentary by S. M. CharnasGomoll, Jeanne
1992/1993-WinterThe New World (B)order: A Work in ProgressGómez Peña, Guillermo
1993-SummerSpeculative Fiction and Black LesbiansGomez, Jewelle
2007La utopía entre la ética y la política: reconsideraciónGómez Sánchez, Carlos
2012-2013Doing Justice to Aldous Huxley’s Un Mondo Feliz: The Three Translations of Brave New World into SpanishGómez López, Jesús Isaías
2011Uma História Natural da Utopia: O Caso das Cidades ObscurasGomes, Miguel Ramalhete
2006Utopie de l’Homme de Fer. La cité idéale comme métaphor alchimiqueGómez Coutouly, Alex Alban
2007-SpringThe City and the Plan: Schuiten and Peeters’s Graphic Meta-utopiasGomes, Miguel Ramalhete
2007Nietzsche e o símio: variações nas margens do utopismoGomes, Miguel Ramalhete
2012Deus ex machina: História e Utopia em Isaac AsimovGomes, Miguel Ramalhete
2004O futuro de Portugal e da Europa: nascimento, amor e morteGomes de Araújo, Henrique
2000-WinterThe Plague of Utopias: Pestilence and the Apocalyptic BodyGomel, Elana
2004-11Gods Like Men: Soviet Science Fiction and the Utopian SelfGomel, Elana
Collection's Items (Sorted by Submit Date in Descending order): 5841 to 5860 of 17595
This database has been created by CETAPS – The Centre for English, Translation, and Anglo-Portuguese Studies for the ARUS project. It benefited from the institutional support of the Faculty of Arts and Humanities of the University of Porto and from a partnership with MIL – U.Porto Media Innovation Labs. CETAPS is funded by FCT – the Foundation for Science and Technology, Portugal.